{"id":81667,"date":"2025-11-10T17:54:36","date_gmt":"2025-11-10T16:54:36","guid":{"rendered":"https:\/\/www.feltrinelli-brogi.com\/illegitimate-use-of-the-opera-the-scent-of-the-night-as-scenography-of-the-sanremo-festival\/"},"modified":"2025-11-12T16:54:36","modified_gmt":"2025-11-12T15:54:36","slug":"illegitimate-use-of-the-opera-the-scent-of-the-night-as-scenography-of-the-sanremo-festival","status":"publish","type":"post","link":"https:\/\/www.feltrinelli-brogi.com\/en\/illegitimate-use-of-the-opera-the-scent-of-the-night-as-scenography-of-the-sanremo-festival\/","title":{"rendered":"Illegitimate use of the opera &#8220;The scent of the night&#8221; as scenography of the Sanremo Festival"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"81667\" class=\"elementor elementor-81667 elementor-80199\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<div class=\"elementor-section elementor-top-section elementor-element elementor-element-990477b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"990477b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\" elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-04a6303\" data-fullscreen-column-settings=\"{&quot;fullscreen&quot;:&quot;&quot;}\" data-id=\"04a6303\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4e12ada elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"4e12ada\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\">A few weeks after the closing of the Sanremo Festival, we return to talk about the Festival for a (not entirely edifying) story related to the 2016 edition and recently defined by the Court of Cassation.<\/p>\n<p class=\"p1\">In 2016, RAI chose as the fulcrum of the set design of the Sanremo Festival the image of a blossoming flower.<\/p>\n<p class=\"p1\">Moreover, a young Genoese architect, believing that that scenography was an illegal reproduction of her own digital work (depicting, in fact, a blossoming flower), titled \u201c<i>The scent of the night<\/i>\u201d, sued RAI for infringement of copyright on the work and damages.<\/p>\n<p class=\"p1\">Il Tribunale prima e la Corte d\u2019Appello poi, accoglievano le domande dell\u2019architetto, condannando la RAI a rimuovere le registrazioni del Festival in cui compare l\u2019opera incriminata ed al risarcimento dei danni di 40.000 euro oltre al rimborso delle spese legali di primo e secondo grado.<\/p>\n<p class=\"p1\">Against this background, RAI has appealed to the Supreme Court. By a judgment of 16 January, the Supreme Court entirely rejected RAI\u2019s appeal, stressing, in particular, that the digital work in question &#8220;<i>is creative when it expresses an original idea, coming only from the inspiration of its author<\/i>\u201d and that \u201c<i>the image was not a simple reproduction of a flower, but it involved a real reworking, therefore deserving of autorale protection for its creative character<\/i>.\u201d<\/p>\n<p class=\"p1\">Beyond the specific case, the decision in this case is particularly relevant because it confirms the possibility of using software to generate content protected by copyright (c.d. \u201c<i>digital art<\/i>\u201d). In this regard, the Supreme Court stressed that, for the purpose of the requirement of creativity, it does not note the fact that the author of the work used software to generate the image. In fact, the software is compatible with the elaboration of a work of genius, even if in this case the &#8220;rate of creativity&#8221; must be scrutinized with particular rigor.<\/p>\n<p class=\"p1\">It goes without saying, however, that before dealing with disputes over the protection of this type of new work, it is essential to consult with experts in the field of intellectual property rights.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-781d3c0 elementor-invisible elementor-widget elementor-widget-image\" data-id=\"781d3c0\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.feltrinelli-brogi.com\/wp-content\/uploads\/2020\/07\/litho-800x560-ph.jpg\" title=\"\" alt=\"\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>A few weeks after the closing of the Sanremo Festival, we return to talk about the Festival for a (not entirely edifying) story related to the 2016 edition and recently defined by the Court of Cassation. In 2016, RAI chose as the fulcrum of the set design of the Sanremo Festival the image of a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":81410,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[106],"tags":[95,96,97,98],"class_list":["post-81667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-insights","tag-development-en","tag-events-en","tag-media-en","tag-mountains-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Illegitimate use of the opera &quot;The scent of the night&quot; as scenography of the Sanremo Festival - Feltrinelli &amp; Brogi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.feltrinelli-brogi.com\/en\/illegitimate-use-of-the-opera-the-scent-of-the-night-as-scenography-of-the-sanremo-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Illegitimate use of the opera &quot;The scent of the night&quot; as scenography of the Sanremo Festival - Feltrinelli &amp; Brogi\" \/>\n<meta property=\"og:description\" content=\"A few weeks after the closing of the Sanremo Festival, we return to talk about the Festival for a (not entirely edifying) story related to the 2016 edition and recently defined by the Court of Cassation. 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